Can you reproduce Charlie Hebdo cartoons without permission?
What do you need to do to reproduce this work without permission? |
This morning from Katfriend and comics lover Julia Powles (University of Cambridge) came an interesting IP-related question concerning the horrible tragedy that happened in Paris this week. As IPKat readers might know, following the attack to the offices of satirical newspaper Charlie Hebdo, debate has ensued regarding the opportunity or not of reprinting its irreverent cartoons.
While Belgian newspaper L'Echo, and a number of German and Italian publications have re-printed a number of covers of this French newspaper [see here for a broader collection], both major US, eg The New York Times, and UK publications, eg The Guardian, have decided against doing so. Apparently the reason why, for instance, the NYT Editor (followed by The Guardian) decided not to run the covers was "because he had to consider foremost the sensibilities of Times readers, especially its Muslim readers. To many of them, he said, depictions of the prophet Muhammad are sacrilegious; those that are meant to mock even more so."
This Kat has noticed that not all the publications that reproduced the cartoons came with a disclaimer that a permission to do so had been obtained from the relevant copyright owner. For instance, if you look at the article appeared on Buzzfeed, you see that the authors of the relevant gallery took the images from The Daily Beast, which for its part does not carry any notice that the relevant rights to reproduce the cartoons have been cleared with Charlie Hebdo [this is likely to be the owner of copyright in its employees' artistic works].
Of course, there is no copyright dispute - whether actual or merely potential - in sight. However, in cases of this sort, is it OK to reproduce copyright-protected works (and also either communicate them to the public in the event of online publications, or distribute them in the case of print publications) without permission from the relevant copyright owner? In other words: would that be a copyright infringement or would copyright exceptions apply?
What does French law say?
In the case of Charlie Hebdo, let's assume that French copyright law, as enshrined in the Code de la propriété intellectuelle, is the applicable law.
It is therefore necessary to look at the key provision on exceptions, ie Article L 122-5 of the Code, and see which [for the benefit of non-EU-based readers it is important to clarify that in EU Member States copyright exceptions are a closed list, as per Article 5 of the InfoSoc Directive] exception(s) could be invoked in the case of unauthorised reproduction (and communication to the public/distribution) of an artistic work by a press publication.
This Kat is by no means an expert in French copyright [so any insights from French readers would be greatly appreciated], but thinks that the potentially applicable exceptions could be [WARNING: Kat-translation!]:
- Article L 122-5, No 3 [likely derived from Article 5(3)(d) of the InfoSoc Directive], which allows, provided that the name of the author and the source are clearly indicated:
- (lett a) the analysis and short quotation of a work because of the critical, polemical, educational, scientific or information character of the (new) work in which it is incorporated;
- (lett b) press reviews.
- Article L 122-5 No 9 [likely derived from Article 5(3)(c) of the InfoSoc Directive], which allows - among other things and subject to the indication of the name of the author - the reproduction, as a whole or in part, of a graphic work of art, by print, broadcast or online, for reasons of exclusive and immediate information directly related to the work. The exception does not apply to works, notably photographs or drawings, that in themselves are meant to convey information [this bit is pretty similar to s30(2) of the UK Copyright, Designs and Patents Act 1988].
If those above are the exceptions that could be potentially invoked by those publications that have not secured a licence from Charlie Hebdo to reproduce its drawings, the question then becomes whether any such defence could actually apply.
Do not forget that you must indicate the source and the author |
Criticism, review and quotation
With regard to the exception within Article L 122-5, No 3, in some - if not most - cases it might be difficult to claim successfully that the newspaper articles discussing the Charlie Hebdo tragedy contained a critical analysis of the cartoons per se. While this circumstance may make (lett a) more difficult to invoke successfully, the loose wording of (lett b) might come in handy.
In addition, it is not even required that the press reviews are protected by copyright per se. This could be useful when it comes to situations, eg the case of The Daily Beast, in which you have merely a gallery of artistic works. You might argue that that is a database protected by copyright [is it?], but that would not be vital to determining the actual applicability of the exception within Article 5(3)(d) of the InfoSoc Directive, as both Advocate General (AG) Trstenjak and the Court of Justice of the European Union clarified in Painer [here]. In particular in that case (concerning the kidnapping of Austrian girl Natasha Kampusch) the AG noted that Article 5(3)(d) [similarly to its French equivalent] does not require that a press report is protected by copyright, also because "none of those possible constraints [in Article 5(3)(d)] are based on the fundamental idea that the limitation of copyright in a work can be granted only for the benefit of another work." [para 185] Above all "[t]he possible constraint under Article 5(3)(d) of the [InfoSoc] directive must be seen against the background of the interest in a free intellectual analysis. It thus serves in particular to realise freedom of opinion and freedom of the press. Statements which are themselves protected by copyright may certainly come under the protection afforded by these fundamental rights." [para 186]
This said, in order to invoke the defence in Article L 122-5 No 3, it is necessary to indicate not just the source of the work, but also its author [not copyright owner!]. Has this happened? This Kat suspects that in most cases the answer would be ‘non!’. Importantly, unlike Article 5(3)(d) of the InfoSoc Directive, the French provision does not exempt one not from complying with this requirement where indication of the source and author “turns out to be impossible”.
... are attached to any copyright exception |
News reporting
The exception within Article L 122-5 No 9 looks more difficult to invoke.
First, because the exception makes an exception for "oeuvres, notamment photographiques ou d'illustration". However the same provision clarifies that such oeuvres must be such as to convey information in themselves. To exemplify this would mean that, similarly to what the law is in the UK, unauthorised reproduction of photographs of the Charlie Hebdo attack in a press article might not qualify for Article L 122-5 No 9 exception. However, one might argue that Charlie Hebdo cartoons in themselves are not meant to convey information about the shooting, ie the actual piece of news most press articles have been about.
Nonetheless the exception in Article L 122-5 No 9 also requires that the use of a work is made for reasons of exclusive and immediate information directly related to that work. Could one argue that this was the case here, especially considering that (1) a number of cartoons, not just one, has been published, and (2) publication has not necessarily occurred just in the immediacy of the attack?
Finally, Article L 122-5 No 9 requires one to indicate the name of the author [not the copyright owner]. Unlike Article 5(3)(c) of the InfoSoc Directive, this provision does not provide that compliance with such requirement can be avoided where this “turns out to be impossible”.
So?
It would appear that unauthorised reproduction of Charlie Hebdo artistic works by press publications would not really qualify for the news reporting exception under French copyright law.
Nonetheless such unauthorised publication could be saved by the wonderfully loose language of Article L 122-5 No 3. However, similarly to Article L 122-5 No 9, Article L 122-5 No 3 requires that a number of conditions are met, notably that (not just the source but also) the author of the work is indicated. Is this what happened in the majority of cases? Probably not … [just see here for an example]
In any case it is well-known that from great power looseness comes great responsibility, so it would be very helpful if French readers could provide references to relevant case law, so to appreciate how courts have interpreted and applied the "press reviews" exception.