Mwah, mwah! Kanye Kissing Kanye
Evolution of a Kanye Kiss |
The story begins with Getty Photographer Jason Merritt taking a photo of Kanye West and Kim Kardashian kissing in 2015. Lewis then posted on Instagram her image which swapped out Kim with Kayne. The image then took Sydney, when, in March, an artist named Scott Marsh turned the photo into a street art mural, which went viral.
March, being an enterprising artist, offered, for the modest price of $100k, to buff the mural and send the buyer a buffed print of the street art. In the cool kids lingo, buff is the removal of street art, in this case using neutral paint. He also sold un-buffed versions for $40. Last week, the mural was buffed, implying the $100k sale was successful, although the buyer remains anonymous.
Since the buffing of mural, another mural has popped up in its place of a Sydney radio celebrity. As reported in BuzzFeed, Marsh bid to paint this second mural, but the commissioners went with a different, cheaper artist. This has left an indignant Marsh with a 'sour taste' in his mouth. However, the Internet, bastion of forgiveness, has quickly reminded Marsh that his mural is a copy of Lewis's work.
Who really owns these works? The Lewis's Instagram and both murals are a string of derivative works starting with Meritt's photo. Kanye, whose entire life might be considered performance art, might have a different opinion. The story is reminiscent of the Shepard Fairey dispute regarding the Obama Hope poster. In that case, Fairey, a street artist, created a stencil based on a photograph of Obama by AP photographer Mannie Garcia. Posters of the stencil were very popular and the AP sued. Eventually the parties settled (although Fairey was sentenced for destroying evidence.) (IPKat coverage here and here.)
This Kat, being a fan of the Alternative London street art tours which start near the Allen & Overy London office, is fascinated by the intellectual property practices of street art. [Merpel prefers the term 'graffiti', but to each her own.] There is an interesting juxtaposition between the generally law-breaking act of street art and use of other people's physical property, and artist's expectation of intellectual property ownership and protection.
If $100k sale actually exists, there may be some interest in legal action. The general sentiment echoes this quote from the AmeriKat on the Obama Hope case, "this is a case not of a copyright owner actively protecting their copyright from bona fide infringement but a copyright owner recognizing a commercial opportunity for the licensing of derivative works post facto the success of a particular work." It will be interesting to see what Merritt and Lewis do next.
Further IPKat coverage of street art here and here. Kayne previously on IPKat here.